In line with the recent announcement of extended lockdown, we’re working from home and Brunswick Mechanics is closed to the public.
At this time, our phone lines are unoccupied. To get in touch with our team email email@example.com.
Stay safe, stay home.
Whether you’re recording a DJ set like Makeda above, or want to livestream a workshop, performance or demonstration, we can support you. We’ve got the live streaming tech to get your work online. Take over the theatre or Studio 1 with hands-on support from our in-house Production Coordinator, Andrew.
We offer a streaming service in 4K Ultra High Definition alongside secure broadcasting for private or public viewing on websites and social media platforms or with password access only.
We’re equipped with with Roland V-1HD Video Switcher, 2 x 4K Panasonic Lumix G7, HD Go Pro and can provide audio managing levels and audio feeds to 3 outputs. We also offer OBS streaming and dual capability of streaming and recording video and audio.
Reach out to our team via firstname.lastname@example.org.
Image: Makeda records a live DJ set for ‘ASSEMBLE!’ Ella Sowinska (2020)
We’re delighted to welcome back New North’s for their second instalment of exploratory music, featuring: Shoshana Rosenberg; Phonetic Orchestra; Theo Carbo & Niran Dasika.
New North presents their follow up to May’s sold out premiere concert, GHOST LIGHTS, with three more sets of new music from some of Melbourne’s most exciting experimental artists.
Shoshana Rosenberg is a clarinetist and composer based in Naarm. They are a music nerd and eternal novice with an art practice focused on improvisation and exploration of interconnectivity between divinity, interiority, and relationality.
Shoshana will perform an improvised piece focusing on their experiences throughout this year: confusion becoming fear becoming rejuvenation becoming exaltation. They dedicate this piece to their love Queenie Star and to the everlasting forces that guide and nurture them.
The Phonetic Orchestra was formed in 2012 as a vehicle to explore the relationship between notation and sound. The unique ensemble brings together musicians from such diverse backgrounds as Contemporary Classical music, Electro-acoustic music and Experimental improvisation to create work that embraces site-specificity, extreme durational performances and the fluid borders between composition and improvisation, the individual and the collective. The Phonetic Orchestra has performed 8-hour marathon sleep concerts at the Museu Serralves (Porto, 2017), Pirelli Hangar Bicocca (Milan, 2018) and Kunstquartier Bethanien (Berlin, 2019). In 2020 they presented ‘Silent Towns’, a 24-hour livestreamed work with ensemble members in Melbourne, Berlin and Perth networked using JackTrip technology. Phonetic Orchestra has collaborated with some of the most singular voices in Australian and European experimental arts practice, including the Kitchen Orchestra (Stavanger), Srosh ensemble (Porto), Peter Knight, Jim Denley and Dale Gorfinkel.
For their New North performance, they will perform a new work for ensemble members in Melbourne and Berlin performing in real-time using JackTrip technology.
Theo Carbo is a guitarist, composer and producer with a finely honed sensitivity to the ebbs and flows of his musical environments. His unique perspective has lead him to perform and record with many of Australia’s most important musicians including Barney McAll, Andrea Keller, Sam Anning, Gian Slater, Chris Hale and Paul Williamson, as well as with the Melbourne Symphony Orchestra and Speak Percussion.
Niran Dasika is a Melbourne/Naarm based trumpeter, improvisor and composer who makes an etherial sound on the instrument. Niran plays with an arresting vocal quality, creating songlike melodies that have the intimacy and immediacy of a folk song, transformed by his expansive instrumental facility.
These accomplished young improvisers will perform a new duo work that explores delays and repetition on micro and macro scales. Sharing interests in minimalist textures and live electronics, the duo will experiment with interconnected processing chains and slowly evolving forms.
𝘊𝘙𝘌𝘈𝘛𝘐𝘝𝘌 𝘋𝘌𝘝𝘌𝘓𝘖𝘗𝘔𝘌𝘕𝘛 𝘚𝘗𝘖𝘛𝘓𝘐𝘎𝘏𝘛 ↘︎
A total pleasure to have @next_wave 2020 artists Rebecca McCauley and Aaron Claringbold in the theatre last week for their Creative Development for an upcoming major work. Aaron and Rebecca are NW 2020 artists who draw from image-based practice, and have a particular interest in work that centres and complicates place-based bonding and responsibility. ‘We have been using the space at Brunswick Mechanics to build and test a large scale camera obscura. Camera obscuras are an early form of photography that emulate the outside world through a lens, projecting an inversed image into a darkened room. Beaming from the car park behind BMI into the theatre, we have been playing with the throw, lens and focal range of the camera. This development is related to 𝘓𝘦𝘪𝘴𝘶𝘳𝘦𝘵𝘪𝘮𝘦 𝘐, our NW 2020 work.”
Images courtesy of the artists. Photo: Aaron Claringbold (2021)
IRL events at Brunswick Mechanics
Road to Refuge presents 𝘚𝘩𝘪𝘧𝘵𝘪𝘯𝘨 𝘵𝘩𝘦 𝘚𝘵𝘰𝘳𝘺 ↘︎
Thu 24 June, 7:30PM
⤳ Tickets + more info: https://bit.ly/3gYaIVs
𝘚𝘩𝘪𝘧𝘵𝘪𝘯𝘨 𝘵𝘩𝘦 𝘚𝘵𝘰𝘳𝘺 gives six storytellers of refugee backgrounds an opportunity to articulate their experiences of COVID-19.
Join us for an evening of storytelling, performance and food as we celebrate Refugee Week with the launch of 𝘚𝘩𝘪𝘧𝘵𝘪𝘯𝘨 𝘵𝘩𝘦 𝘚𝘵𝘰𝘳𝘺.
In 2020, in the midst of the COVID-19 pandemic, we launched our 𝘚𝘩𝘪𝘧𝘵𝘪𝘯𝘨 𝘵𝘩𝘦 𝘚𝘵𝘰𝘳𝘺 project. The project gave six storytellers of refugee backgrounds an opportunity to articulate their experiences of the pandemic and imagine what a post-pandemic world could look like. Join us for an evening showcasing these stories.
Due to a national shortage of Auslan interpreters, this event will no longer be Auslan interpreted. The video works include captions, and Brunswick Mechanics Institute is a wheelchair-accessible venue.
Please email email@example.com if you have any other access requirements.
Keep safe at Brunswick Mechanics:
• Please sign in on entry via the QR code
• Maintain social distancing of 1.5m
• Masks are required at this event for all patrons
• View our COVID-19 Audience Policy
Photo: Sammaneh Poursh pictured (Director & Artist) for Shifting the Story, 2020, Image courtesy of Road to Refuge
Dear friends in Moreland, Melbourne and beyond,
In response to this morning’s announcement of a snap lockdown, #BrunswickMechanics is closed to the public and our team are working from home.
During this time our line at BM is unattended so please drop us a line via firstname.lastname@example.org
We look forward to warmly welcoming our friends, artists, community and peers back into our space when we can.
Stay safe + take care,
It was an absolute pleasure to have Evelyn Ida Morris in for #CreativeDevelopment last week for their work 𝘛𝘩𝘦 𝘉𝘰𝘥𝘺 𝘪𝘴 “𝘔𝘪𝘯𝘦”.
Drawing from Evelyn’s practice as a lyricist and activist, 𝘛𝘩𝘦 𝘉𝘰𝘥𝘺 𝘪𝘴 “𝘔𝘪𝘯𝘦” began through early discussions with producer Zoe Theodore and collaborator Shelley Lasica. Joined by Agatha Gothe-Snape as dramaturg, 𝘛𝘩𝘦 𝘉𝘰𝘥𝘺 𝘪𝘴 “𝘔𝘪𝘯𝘦” is curious about questions such as: What does your body sound like, ideologically, axiologically? Where do I end and where do you begin? What is power, when it’s not leveraged from another person? How can we design a communication style that allows this different kind of power to be accessed equally?
You can view more of Evelyn’s work via https://www.evelynidamorris.com/
We’re super thrilled to be partnering with our pals again, bringing to you some pop up events in forecourt during the festival.
View their huge program of local babes!
Mindy Meng Wang and Daniel Jenatsch’s Petal Lake combines Wang’s virtuosic experiments on the traditional Guzheng with Jenatsch’s electroacoustic musique concrete. Wading past intricacies into the vaguely accessible, the collection of pieces immerse listeners in a shifting fluid world where the lines between the acoustic and the acousmatic are set adrift upon a flotilla of sonic petals. They’re joined by renowned and respected DJ MzRizk.
Sun 7 March,
Reflect on notions of reemergence and connection at Xanthe Dobbie’s site-specific installation nightly for the duration of the festival. It’s prophesying an altered experience of togetherness as we, as a community, re-find our feet. 2021 is all about the new normal, embracing the stilted, tech-saturated strangeness of our recent history and relishing in simple luxuries, people, places and things.
Fri 5 – Sun 14 March
Sat 26 June 7PM
⤳ Tickets: https://emergingwritersfestival.org.au/event/closing-night-be-kind-rewind/
Break out the butterfly clips, trucker caps and jelly bracelets, because it’s time to party like it’s 2003. EWF invites you to commemorate our 18th birthday with a stunning line-up of artists and friends, old and new. Listen as our wise writers share what they wish they knew when they came of age. Take a moment at our letter writing station to write your 18-year-old self a note from the future and weave through the ’03-inspired installations. Keep an eye out for photo ops, party snacks, streamers, and more. To get in the groove, listen to our early 2000s themed playlist.
Hosted by Mama Alto
Featuring artworks by Elijah Money, Cecile Richard, Michael Sun, and Sumarlinah Winoto + Guest DJ ✨
Note: this event was originally scheduled to be held at Brunswick Mechanics. Due to the recent restrictions, it has been moved online. For more info, visit EWF’s Closing Night Party.
Co-presented by Next Wave.
Photo: EWF2021 image. Courtesy of EWF
NEW NORTH presents GHOST LIGHTS
7:30pm Thursday 20 May 2021
New North is excited to present its first concert, featuring three sets of great new music from some of Melbourne’s most exciting experimental artists.
New North presents music on land stolen from the Wurundjeri people, the traditional custodians of the land, and we acknowledge that their sovereignty was never ceded.
James Rushford & Callum G’Froerer
A new collaboration featuring Callum’s singular double-bell trumpet playing and the eclectic brilliance of James Rushford, one of Australia’s leading experimental artists.
Lily Tait & Nick Ashwood
In collaboration for the first time Naarm-based guitarist Nick Ashwood and violinist Lily Tait come together to create a new work. The duo will use elements of small percussion, bowed instruments and pitched resonances to explore durational exchanges, harmonic space and fine textural shifts.
Lisa Salvo/Maria Moles/Scott Mcconnachie/Duré Dara/Joseph Franklin
Lisa Salvo (vocals), Scott McConnachie (guitar) and Maria Moles (drums) of experimental pop band On Diamond team up for a one-off collaborative performance with legendary improvising percussionist Duré Dara and avant-garde composer/bass player Joseph Franklin. Lisa’s songs are layered and interspersed with improvisation, weaving open song forms coloured by acoustic-ambient and amplified-effected sounds.
Tickets are $20/15 and are available from Eventbrite and will also be available at the door (card preferred). We offer complimentary tickets to those who can’t afford entry. To arrange a complimentary ticket, please send an email with your name and the phrase ‘COMP’ to email@example.com.
Doors open at 7:00pm and drinks will be available from BMI’s bar.
New North is supported by the Australia Council for the Arts.
CREATIVE DEVELOPMENT SPOTLIGHT –
Huge congrats to David Woods (Back to Back Theatre) whose work 𝘛𝘏𝘐𝘚. has just launched as part of Rising’s epic first program announcement. Woods’ executed Creative Development with us at Brunswick Mechanics in February-March.
Devolving, shaming and space invading. Fear, conspiracy, collapse, terror, frustration, solidarity and hope. Mud wrestling.𝘛𝘏𝘐𝘚. is a brutally funny, raw and unflinching response to the theme of infuriation.
𝘛𝘏𝘐𝘚. at RISING
Wed 26 May – Sun 6 June
More info + tickets:https://rising.melbourne/festival-program/this
More on Back to Back Theatre: https://backtobacktheatre.com/
ALICE WEBER / BRIONY FARREL & CHRISTIAN TAYLOR / DAVID WOODS
DEVIKA BILIMORIA & AMY HANLEY / EVELYN MORRIS
QIHAO LIANG – BARCODE PEOPLE / REBECCA JENSEN / SARAH AIKEN
We’ll be introducing each artist, spotlighting what they’re up to at Brunswick Mechanics and beyond very soon. Stay tuned!
We’re stoked to announce the successful applicants of our special Creative Development Program, between January and June 2020. These movers and makers will get up to three weeks of free space along with access to tech, production and industry support. Artists include: Aarti Jadu, Alya Manzart, Chelle Destefano, Efren Pamilacan, Kate Lefoe, Katie Sfetkidis, Lydia Connolly-Hiatt, Nebahat Erpolat, Rachel Perks and Sumarlinah Raden Winoto. We’ll be updating you over the coming months on who these artists are (if you don’t know already). Congratulations! If you missed the deadline, there’s always a next time – our next round of applications for July – December 2020 will be open later this year. Keep your eyes on our newsletter and social media for updates. — Image 1 credit: Irihipeti Waretini Image 2 credit: Katie Lee, Set Elements (2019), performance installation. Image credit Clare Rae. (care of Beth Arnold, 2019 Creative Development artist).
Expressions of interest are now open for our 2020 January – June Creative Development Program.
If you’re an artist or company with a new performance project to develop, Brunswick Mechanics Institute (BMI) offers up to three weeks of free space, along with access to tech, production and industry support.
Selected projects are able to use either the Studio or Theatre space and could choose to work in one intensive or across multiple blocks over the season.
Applications from artists who live and work in City of Moreland will be highly regarded.
Expressions of interest will be assessed against the following criteria:
— High-quality, original concept
— Well-researched with a clear rationale
— Demonstrated social, cultural, political, environmental, personal relevance (why does this work need to be made now)
— Experimental, pushing artform boundaries, or innovating within a specific artform
— Where appropriate, considers cultural safety, environmental sustainability, access and inclusion
Expressions of Interest Open: 7 November 2019
Expressions of Interest Due: 5pm, 1 December 2019
Applicants Notified: No later than 9 December 2019
Have a question? Get in touch with Mechanics via email or telephone (03) 9387 3376.
This September, a surge of artists will take over Brunswick Mechanics Institute, Siteworks and Blak Dot Gallery with a program of radical work that decentres, agitates, questions and seeks to divert established pathways and political narratives. Critical Mass is a moment of interruption: an ambitious and experimental gathering in the midst of the Melbourne Fringe Festival.
Critical Mass at Brunswick Mechanics Institute is just around the corner, and we’re looking for volunteers to help deliver our events, support and work directly with our artists and champion experimental and critical art. Volunteering for Critical Mass is a unique opportunity to get behind the scenes of a large-scale arts festival and see just what it takes to produce a program of compelling experimental art.
Volunteers will work short, 2 – 3.5 hour shifts, at events at Brunswick Mechanics Institute and will assist with ticketing, ushering and making sure guests have an awesome experience with us. Volunteers will also receive free entry to Critical Mass shows (unless sold out prior) and discounted drinks at Mechanics’ newly renovated bar!
The program runs from 12 – 28 September.
Please use this form to submit an expression of interest. Expressions of interest close 5pm Thursday 5 September 2019.
Next Wave is an equal opportunity employer. Aboriginal and Torres Strait Islander people, people with disability, LGBTQIA+ and culturally and linguistically diverse applicants are strongly encouraged to apply for this position.
AFRO HUB PRES. AKWASI OSEI -TUTU + ALEXANDER POWERS + ARIKA WAULU + BRON BATTEN + CHELLE DESTEFANO + CYNTHIA SOBRATY + DR. NILMINI FERNANDO + CLAIRE G.COLEMAN + GIRL (EM KÖNIG & JASON SWEENEY) + HUNHAK GALE + JAZZ GIULIANI & MELANIE SCAMMELL & ELLA THOMPSON + PAPAPHILIA X MOSSY 333 + PETER WAPLES-CROWE + RIPLEY KAVARA + THE MOTHERLESS HAUS + SLIM SET + THE CONVOY & THE ORACLE + TIMMAH BALL + LEILA LOIS & MICHAELA MEADOW + MOORINA BONINI & TYSON CAMPBELL + PATRICK ROSE + MORE.
The Critical Mass program is now live!
This September 12–28, a surge of artists will take over Brunswick Mechanics Institute, Siteworks and Blak Dot Gallery with a program of radical work that decentres, agitates, questions and seeks to divert established pathways and political narratives.
Critical Mass is a moment of interruption: an ambitious and experimental gathering in the midst of the Melbourne Fringe Festival.
To find out more about the artists and program, and to book your tickets, head to the What’s On page. Catch you in the mass!
What am I supposed to do? (WAISTD) is a large scale participatory work and will be presented by Art Centre Melbourne and Melbourne Fringe Festival for Take Over! September 16th –22nd 2019 in the Fairfax Studio. Staring into our cultural inertia and the hypocrisies of trying to be good in the face of climate crisis, WAISTD is an immersive experience questioning the complexities and complicity of contemporary Australia. Digging into the stasis that holds us back from doing anything, this dark, hopeful and irreverent cautionary tale reminds that now is not the time to sit back and watch.
WAISTD implicates audiences into an immersive performance as set, performers and audience simultaneously. Directed and created live; an environmental horror unfolds through a layered collage of the cultural detritus of colonial Australia, somewhere between mass games, film set and school play. Nobody is a spectator. As set, performer and audience simultaneously, you will find yourself a part a conversation that has been earnestly rehearsed and restaged for the last 40 years.
WAISTD knits together threads from Aiken and Jensen’s body of work, pushing their practise into unknown territory in this new ambitious participatory project.
Sarah Aiken and Rebecca Jensen have a long history of creating experimental choreography and performance in theatres, galleries, community, film, music & site responsive contexts. Their work has been described as formally reckless, slipping between codified forms and unbridled invention. Their freeform style, amasses multiple images in a torrent of references, satirical, sincere, absurd and unapologetic. Since 2010 they have been making experimental choreography, presented in Canada, Italy, France, New Zealand and more locally Dance Massive, Keir Choreographic Awards, Next Wave, Brisbane Festival, Castlemaine State Festival and Dark MOFO. Their ongoing project Deep Soulful Sweats creates collective experiences for audiences to come together in ecstatic, inclusive and unrehearsed performance experiences.
Concept, choreography and performance: Sarah Aiken and Rebecca Jensen/Deep Soulful Sweats
Collaborating performers: Claire Leske, Megan Payne, Alexander Powers, Ngioka Bunda-Health
Mentor/outside eye: Mish Grigor
Design: Romanie Harper
Lighting Design: Amelia Lever Davidson
Sound Design: Andrew Wilson
Photo: Cheryl Ho’s Creative Development at Brunswick Mechanics Institute 2019.
We’re so happy to announce the successful applicants of our special Creative Development Program, between July and December 2019. These movers and makers will get three weeks of free space along with access to tech, production and industry support.
Artists include: Anna Seymour, Cheryl Ho, Ngioka Bunda-Heath, Lachlan Herd, Jeffrey Tan, Texta Queen, Beth Arnold, Fjorn Butler, Ripley Kavara, Shian Law, Sarah Aiken & Rebecca Jensen, and Israel Aloni. We’ll be updating you over the coming months on who these artists are (if you don’t know already). Congratulations!
If you missed the deadline, there’s always a next time – our next round of applications for January – June 2020 will be open later this year. Keep your eyes on our newsletter, ears to the ground, hands on your hearts.
Photo: Cheryl Ho’s Creative Development at Brunswick Mechanics Institute 2019.
Expressions of interest are now closed for our 2019 (July – December*) Creative Development Program.
If you’re an artist or company with a new performance project to develop, Brunswick Mechanics Institute (BMI) is offering up to three weeks of free space, along with access to tech, production and industry support.
Selected projects will be able to use either the Studio or Theatre space and may choose to work in one intensive or across multiple blocks over the season.
Expressions of Interest Due: 5pm, 23 June 2019
Applicants Notified: No later than 30 June 2019
APPLICATIONS FOR THE JUNE-DECEMBER 2019 ROUND HAVE CLOSED.
Image: MicroLandscapes by Emma Fishwick. Image by Sarah Walker
Brunswick Mechanics Institute, Blak Dot Gallery and Siteworks are looking for artists to activate their venues during Melbourne Fringe Festival 2019. Guest curator Onyx B. Carmine will select critical works under the theme of CROSSROADS.
Applications were open to artists Australia wide
We are seeking bold propositions from artists working across a broad range of experimental creative and cultural practices, including but not limited to: theatre, live performance, visual art, music, choreography, time-based and inter-disciplinary practice. Additional to the artistic program, we also welcome proposals for workshops, talks, screenings and other public events.
Selected artists and thinkers will be part of a convergence of ideas and artistic programming which will take place within the Brunswick Creative Precinct.
We are excited to announce the successful applicants to our Creative Development program for January – June 2019. Brunswick Mechanics Institute is dedicated to making space for artists to create and are proud to provide 26 weeks of free space to experimental live artists and companies.
Providing up to 4 weeks of free creative development space and more for artists or companies to develop new work.
2019 Artists and Companies
This September 13–30, a surge of artists will bring transformative, urgent works to the fore as part the inaugaral Critical Mass.
Brunswick Mechanics Institute, Siteworks, Blak Dot Gallery and Testing Grounds have come together under one banner to program a series of live performance, film, visual arts and multi-disciplinary events for Melbourne Fringe 2018. Artists from all disciplines are meeting in a crowding of crucial ideas, making noise and asking to be heard.
Approximately thirty three projects will be presented as part of Critical Mass across the four venues. From printmakers, installation artists, writers, dancers and spoken word poets through to DJ’s, sound designers, queer performance artists, the selected participants represent a diverse cross-section of identities and artistic practices operating in Australia today.
The projects are many and varied. From 24 hours of dance endurance to an immersive distant future workplace. From a metaphorical house of mirrors to queer near death experiences. From a woman asking white men to tell her what her work is about to artists being locked in a gallery together overnight. Critical Mass isn’t just a reflection of what artists want to say, it’s an amplification.
Critical Mass is a moment of interruption. An ambitious and experimental gathering in the midst of the Melbourne Fringe Festival.
When: September 13–30
Where: Brunswick Mechanics Institute, Siteworks, Blak Dot Gallery, Testing Grounds
Summer Nights is The Blue Room Theatre’s curated program of theatre and performance, taking place as part of Western Australia’s biggest annual arts festival – FRINGE WORLD. In 2019, the festival will run from 18 January to 17 February.
With the aim of presenting high-quality, diverse and contemporary live events within the FRINGE WORLD environment, Summer Nights is our opportunity to showcase what’s next in independent performance, from our own backyard and around the world.
Artists from around the corner and across the globe are invited to submit works that excite, inspire, and provoke to fill our venues for four wonderful weeks over the balmy Perth summer. Whether they’re heartfelt stories, genre-defying spectaculars, intimate experiments or tried and tested audience pleasers, we want to hear about them all.
Prepare to be immersed in three New York themed Saturday nights at Brunswick Mechanics Institute as part of MEL&NYC. Enjoy a Cult Cinema & Bar event, a NYC Christmas in July movie marathon and a night of classic performance art re-performance exploring iconic and overlooked sides of NYC culture
CULT Cinema & Bar – NYC Inspired Film & Cocktail Night
Sat. 14 July, 6:00 pm
Delve into Spike Lee’s Brooklyn-based, super seductive anti-love story, SHE’S GOTTA HAVE IT. Enjoy a pre-film live set of NYC inspired 90’s jams from DJ Colette while you sip on a ‘Sex on the Brooklyn Bridge’ cocktail. Presented by CULT Cinema & Bar. Get Tickets.
NYC Christmas in July Film Marathon
Sat. 28 July, from 4:30 pm
$13 single film / $26 for the marathon
T’was 149 nights before Christmas…
This July, Mechanics brings New York City to Melbourne with a film marathon of three classic Christmas films to warm the cockles of cold winter hearts. Gather with your loved ones at the bar in your ugliest woolly jumper before heading in to the cinema. Get Tickets.
Sat. 11 August, 7:00 pm
Next Wave presents an evening of reperformance from the stages and streets of 1960s and 70s New York, by artists Emile Zile, Angela Goh and The Band Presents. Three performances will mine and reinterpret an era that upturned our understanding of what performance art is, where it can be shown and who can perform it.
Brunswick Music Festival is one of Melbourne’s longest running inner city music festivals and in 2019 celebrates 31 years. Over the decades the festival has reflected the changing face of Brunswick – continually showcasing the best local talent, presenting high calibre international artists and embracing a movable feast of musical genres and events.
With local legend Emily Ulman at the helm as Music Programmer, BMF 2019 is set to once again shake things up – and continue to reflect, embrace and challenge this diverse community and place. As part of our Festival ethos, we are seeking to collaborate with local producers and a range of local venues, businesses and community organisations to deliver a program that is edgy, politically-aware, diverse, engaging and sustainable.
Image credit: Wet Lips at Brunswick Music Festival 2018 photo: Naomi Beveridge
Escape the cold and get your blood-pumping with Emerging Writers Festival at Brunswick Mechanics Institute this June.
For three nights, Brunswick Mechanics Institute will transform into an intimate Speakeasy where we will forgo the usual dinner party small talk to tackle the big subjects in life, namely sex, death and money. Enjoy a catered dinner and delicious discussions around these tricky topics, with a delectable line-up of guest speakers, including Esther Anatolitis, Helen Razer, Dion Kagan and Pia Interlandi.
Writing Live is a full-day event, tackling the topics around writing for performance. Whether you’re new to the genre or just keen to jump into some key conversations with like-minded souls, Writing Live has a killer line-up of back-to-back panel discussions with the best in the biz. Hear from wordsmiths and brilliant theatre folks, including Adena Jacobs, Michele Lee, Dan Giovannoni, Candy Bowers, Euygeene Teh and Rachel Perks.
For Confessions, come and sit in the dark while six anonymous writers share their deepest, darkest secrets. While we can’t reveal the line-up, we have a feeling it’s going to be juicy, and cathartic. Shake off the secrets at the Closing Night Party, curated by African arts collective, Still Nomads, where you’ll be able to raise a glass to the festival that was.
NIDA Melbourne and Brunswick Mechanics Institute are delighted to announce Launchpad, an amazing development opportunity for Melbourne artists. We are inviting Melbourne’s creative community to explore their artistic practice, undertake creative development and transform their idea from a seed to a season of live performance. We are are curatorially interested in experimental performance in the categories of live art, theatre, dance and/or multi-modal performance.
Click here for more info and a link to apply.
Brunswick Mechanics Institute, Siteworks and Testing Grounds come together under one banner to program Critical Mass — a series of live performance, film, visual arts and multi-disciplinary events — for Melbourne Fringe 2018.
Critical Mass is a space for an audacious community to gather and experience ambitious, experimental and critical art.
Click here for more info and a link to apply.
Image credit: Marina Lamari
Are you a lover of the arts, an artist or just art-curious? Whatever your art-orientation, this is your invitation to join us in delivering our biennial arts festival.
Next Wave Festival 2018 will be happening in Melbourne from Thu 3 – Sun 20 May and we are seeking extraordinary volunteers of all backgrounds and skill levels to join us for the ride.
Next Wave Festival volunteers are highly valued members of our team and provide assistance to our program by installing artworks, bumping in events, invigilating exhibitions, providing Front-of-House services, helping patrons find their way, and aiding artists with their events.
Volunteer shifts range from 3-5 hours and we require a minimum commitment of four shifts across the three weeks of the Festival.
In addition to the incredible first-hand experience you will receive from working alongside industry professionals and artists, we also offer you:
Volunteer Applications close on Monday 9 April with successful applicants notified by Wednesday 11 April.
To be eligible to volunteer, applicants must be over 18 years of age at the time of the Festival. You will also need to be available to attend a Festival Briefing in the week before the Festival starts.
Keen to learn more about the events you could work on? The Next Wave Festival 2018 program can be viewed here.
Need to submit an application in an alternate format, or want to chat about your access requirements?
Any questions or queries can be directed to Kim Haworth, Next Wave’s Volunteer Coordinator at or call 03 9329 9422. You can also contact us through the National Relay Service by asking for 03 9329 9422.
Image credit: Shadow Sites curated by Frances Wilkinson & Samantha McCulloch. Image by Zan Wimberley
We are excited to announce the successful applicants to our inaugural Creative Development programs. Brunswick Mechanics Institute is dedicated to making space for artists to create and develop new performance work and over 2018, anticipate giving out no less than 26 weeks of free space to experimental live artists and companies.
Providing up to 4 weeks of free creative development space and more for artists or companies to develop new work.
2018 Artists and Companies
Cera Maree Brown & Jai Leeworthy
Emma Palackic, Christopher Bryant & Justin Gardam
Olivia Koh, Jimmy Nuttall & Nicholas Smith
Rachel Perks & Bridget Balodis
Free and unlimited short notice space for artists and companies residing in the City of Moreland, to rehearse, make, meet, remount and create.
The Furies – Tessa Waters, Steph Speirs, Victoria Falconer & Rowena Hutson
Brunswick Mechanics Institute is dedicated to making space for artists to create and develop new performance work. We invite expressions of interest for two inaugural development programs in 2018:
Creative Development – providing up to 4 weeks of free creative development space and more for artists or companies to develop new work.
Resident Artists – Free and unlimited short notice space for artists and companies residing in the City of Moreland, to rehearse, make, meet, remount and create.
Expressions of interest for both programs will open and close on the same dates. Where eligible, artists are welcome to express interest for both programs.
Expressions of Interest Due: 5pm, Fri 15 Dec 2017
Applicants Notified: No later than Fri 5 Jan 2018
Image: MicroLandscapes by Emma Fishwick. Image by Sarah Walker
‘Collective Care’ is a free public art project that invites participation, join us as we release the woes of the digital world!
We will playfully unite through discussion, meditation, craft, performance and protest. Using collaboration and negotiation, this one day workshop will explore and celebrate the intersections between self-care, personal agency and collaborative action.
The event will focus on topics that emerge during this collective workshop. We will create protest banners and placards for our own march, and we will retrace Brunswick’s history of protest by taking our march to the streets!
Our collective artwork banners and placards will be installed and exhibited on the exterior of the Brunswick Mechanics Institute, where they will be on display for the duration of the MoreArt Public Art Show.
Come and be part of this workshop, exhibition and event!
Coffee, tea and nibbles provided, and all materials are free. Bookings are essential as spaces are limited!
Sign up through our eventbrite: collectivecare.eventbrite.
11:00 am – 4:30 pm (Meet at Siteworks, we will then make our way to the Brunswick Mechanics Institute towards the end of the day)
We are thrilled to announce our first residency in the form of CULT Cinema & Bar. Step into a curated world of special event cinema screenings, cult films, throwbacks and festival favourites.
Every night in November they will be hosting CULT film screenings, movie themed cocktail nights, food and film pairing events, drag hosted film screenings and a Hear My Eyes live score production in our Theatre space.
Events are announced weekly and are selling even faster, with several already sold out! Stay tuned to our What’s On Page for more announcements.
The series kicks off with Dario Argento’s candy coloured nightmare Suspira and a special Negroni pairing with Four Pillars Gin.
Karen From Finance hosts Stephan Elliott’s classic The Adventures Of Priscilla, Queen Of The Desert with a live drag performance.
Finally, CULT Cinema & Bar team up with Brunswick’s own Los Hermanos Mexican Taqueria to serve up their delicious traditional Mexican tacos to accompany Robert Rodriguez’s outrageously entertaining action film El Mariachi.
We believe in marriage equality for everyone.
Join Brunswick Mechanics Institute and vote yes in the Australian Marriage Law Postal Survey.
Forms will be sent out from today, September 12 until September 25. You have until October 27 to return the form with your vote.
Get more information on the marriage survey website.
Thank you to everyone who joined us in celebrating our opening night!
Image credit: Brunswick Mechanics Opening Night, 08.09.2017, photos by Greg Holland
Next Wave and Moreland City Council take great pleasure in inviting you to the Opening Night on Friday 8 September of our new cultural enterprise, Brunswick Mechanics Institute.
A housewarming of sorts, please join us for live performances and interactive treats from Bron Batten, Crying on the Eastern Freeway, PlayReactive, plus sneaky DJ sets from some Next Wave faves. All performances are Auslan interpreted.
Here you can find out all about our diverse cultural program of events and purchase tickets, apply for our creative development initiative, submit venue hire inquiries, read up on our accessibility and sustainability plans, and stay up to date with Brunswick Mechanics Institute news.
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In the Theatre, Cope St Collective present One Of The Good Ones, a “blackfella sci-fi exploring race and space.”Speaker TV named the play as 1 of their top 10 must see Fringe shows and described as “A satirical plays which explores the struggles of Indigenous Australians through cheesy, sci fi comedy conventions.”
The Nose, presented by The Bloomshed, takes inspiration from Russian author Nikolai Gogol’s famous eponymous short story and turns it into a contemporary theatre performance reflective of the dystopian post-paradise of 2017.
In Studio 1 we look forward to Annie Louey’s one woman stand up show Butt Donut, which Artshub described as “Charmingly endearing to watch, let alone hysterical.”
As well as Heroes: Beyond The Practice, where immersive theatre meets live art for 4 evenings of psychological manipulation, physical movement, minor discomfort and mumbo jumbo.
And finally, Ripe, a surreal drama and sensory exploration of the relationship of two female protagonists.
In July 2017 Asialink Arts launched a new initiative, Global Project Space (GPS), designed to reposition Asialink Arts as a key innovator of curated projects that provide opportunities for contemporary cultural engagement and development.
Under the new GPS initiative Asialink Arts and Next Wave have teamed up to invite a Japanese artist or collective to take up residence at Brunswick Mechanics Institute in 2018. This will form the second part of a reciprocal project, commencing with physical theatre performer and Next Wave alumni artist Skye Gellmann participating in the Awaji Arts Circus Festival on Awaji Island in Japan.
This project has been supported through a gift in the memory of Masa Hiraoka and Setsu Hiraoka and Yasuko Hiraoka Myer and by the Australian Government through the Australia Japan Foundation.